For The Theatre @ Boston Court, Kubzansky has had the privilege of directing the world premieres of Mickey Birnbaum's “Bleed Rail,” “Gilgamesh” (with Stephen Sachs), Carlos Murillo's “Unfinished American Highwayscape #9 & 32,” Jean-Claude van Itallie's “Light,” and Cody Henderson's “Cold/Tender,” as well as directing the inimitable Camille Saviola in the Hare/Brecht “Mother Courage.”

Kubzansky is also an award-winning director working around the country in venues such as The Geffen Playhouse, South Coast Rep, Portland Center Stage, the Mark Taper Forum/Kirk Douglas New Works, LA's Disney Hall, The Laguna Playhouse, the American Stage Co., The Aurora, The Boston Publick, and more. Kubzansky does a great many world premieres; recent new work includes Bob Clyman's “Tranced” at the Laguna Playhouse, Tory Stewart's “Leitmotif” (South Coast Rep's Pacific Playwrights Festival), Tom Jacobson's “The Orange Grove” (Playwrights' Arena), Julia Cho's “BFE” (Portland Center Stage JAW/WEST), the Playwrights Arena/Echo Theatre Co. and subsequent Geffen productions of Bryan Davidson's award-winning “War Music,” Sheila Callaghan's “Kate Crackernuts” (24th Street Theatre), the Salamone/ McIntyre musical “Moscow” (most recently the Chekhov Now Festival, NYC), Carol Wolf's “The Thousandth Night” with Ron Campbell (most recently at the Aurora Theatre), and Jeanne Sakata's “Dawn's Light” with Ryun Yu (East/West Players).

Other recent work includes “The Two Gentlemen of Verona” (Illinois Shakespeare Festival), “The Glass Menagerie” and the multi-Ovation-winning “Toys in the Attic” (The Colony), “Measure for Measure” (A Noise Within), “Amy's View” and “Servant to Two Masters” (International City Theatre), “Dancing at Lughnasa” (McCoy/Rigby), “Moon for the Misbegotten” (The Laguna Playhouse), a theatrical staging of Esa-Pekka Salonen’s “Wing on Wing” (LA Philharmonic/Disney Hall), and many, many others.

Kubzansky received the 2004 Los Angeles' Drama Critics' Circle's Margaret Harford Award for Sustained Excellence in Theatre.